Pointing Up Connections of Diverse Composers

Pointing Up Connections of Diverse Composers
 December 12, 2002
By ALLAN KOZINN

Jennifer Koh devoted her violin recital last Thursday evening at the Miller Theater to works by New York composers whose music pushes the limits of their chosen languages. At a glance the range seemed vast: Elliott Carter and Charles Wuorinen occupied one end of the spectrum with John Zorn and Steve Reich at the other, and Ornette Coleman balanced precariously between them. Ms. Koh presented the composers in that order, but instead of highlighting the distinctions between them, she accomplished the more surprising feat of pointing up connections.

She found nostalgia and lyricism, for example, in Mr. Carter's "Rhapsodic Musings" (2000) and "Riconoscenza per Goffredo Petrassi" (1984). And her reading of Mr. Wuorinen's Sonata for Violin and Piano (1998) juggled sweetly turned melodies and playful exchanges between the violin and the piano (played by Reiko Uchida) amid more overtly virtuosic passages. Ms. Koh has the technique to find and project inviting qualities in these thorny pieces without sacrificing the music's sharp harmonic edges and rhythmic complexities.

The complications were somewhat reduced in Mr. Coleman's "Trinity: Fantasy for Solo Violin" (1986), a true fantasy in the sense that it is structurally free yet presents itself as an unfolding discourse. But in highlighting gritty moments that might otherwise have been passing episodes, Ms. Koh connected it both with the Wuorinen and with Mr. Zorn's "Goetia: Incantations for Violin," a world premiere. "Goetia" begins with a wild, violent outburst and becomes only slightly more settled as its opening passages give way to vigorous, fastidiously detailed lines. But Mr. Zorn gave Ms. Koh something more than a demonstration of fast, loud playing. This suite's central movements include a slow, chordal meditation, which creates a mystical atmosphere; a perpetual-motion piece that takes a violinist all over the fingerboard; and a pizzicato movement. But in the end, assertiveness triumphs: the screaming figures of the finale recall the work's opening and seem even more untamed.

Ms. Koh closed her recital with an oldie, Steve Reich's "Violin Phase" (1967), in which a live soloist plays against several taped violin lines. By displacing beats at strategic moments, the live and taped lines move out of phase, creating slowly changing rhythmic patterns. Ms. Koh played the work with an unflagging energy that kept its rhythmic evolution in focus and helped her avoid letting the repeating figuration from becoming soporific.

100 Best Characters in Fiction Since 1900

http://www.npr.org/programs/totn/features/2002/mar/020319.characters.html

1 - Jay Gatsby, The Great Gatsby, F. Scott Fitzgerald, 1925 
2 - Holden Caulfield, The Catcher in the Rye, J.D. Salinger, 1951
3 - Humbert Humbert, Lolita, Vladimir Nabokov, 1955
4 - Leopold Bloom, Ulysses, James Joyce, 1922
5 - Rabbit Angstrom, Rabbit, Run, John Updike, 1960
6 - Sherlock Holmes, The Hound of the Baskervilles, Sir Arthur Conan Doyle, 1902
7 - Atticus Finch, To Kill A Mockingbird, Harper Lee, 1960
8 - Molly Bloom, Ulysses, James Joyce, 1922
9 - Stephen Dedalus, Portrait of the Artist as a Young Man, James Joyce, 1916
10 - Lily Bart, The House of Mirth, Edith Wharton, 1905
11- Holly Golightly, Breakfast at Tiffany's, Truman Capote, 1958
12 - Gregor Samsa, The Metamorphosis, Franz Kafka, 1915
13 - The Invisible Man, Invisible Man, Ralph Ellison, 1952
14 - Lolita, Lolita, Vladimir Nabokov, 1955
15 - Aureliano Buendia, One Hundred Years of Solitude, Gabriel Garcia Marquez, 1967
16 - Clarissa Dalloway, Mrs. Dalloway, Virginia Woolf, 1925
17 - Ignatius Reilly, A Confederacy of Dunces, John Kennedy Toole, 1980
18 - George Smiley, Tinker, Tailor, Soldier, Spy, John LeCarre, 1974
19 - Mrs. Ramsay, To the Lighthouse, Virginia Woolf, 1927
20 - Bigger Thomas, Native Son, Richard Wright, 1940
21 - Nick Adams, In Our Time, Ernest Hemingway, 1925
22 - Yossarian, Catch-22, Joseph Heller, 1961
23 - Scarlett O'Hara, Gone With the Wind, Margaret Mitchell, 1936
24 - Scout Finch, To Kill A Mockingbird, Harper Lee, 1960
25 - Philip Marlowe, The Big Sleep, Raymond Chandler, 1939
26 - Kurtz, Heart of Darkness, Joseph Conrad, 1902
27 - Stevens, The Remains of the Day, Kazuo Ishiguro, 1989
28 - Cosimo Piovasco di Rondo, The Baron in the Trees, Italo Calvino, 1957
29 -Winnie the Pooh, Winnie the Pooh, A.A. Milne, 1926
30 - Oskar Matzerath, The Tin Drum, Gunter Grass, 1959
31 - Hazel Motes, Wise Blood, Flannery O'Connor, 1952
32 - Alex Portnoy, Portnoy's Complaint, Philip Roth, 1969
33 - Binx Bolling, The Moviegoer, Walker Percy, 1961
34 - Sebastian Flyte, Brideshead Revisited, Evelyn Waugh, 1945
35 - Jeeves, My Man Jeeves, P.G. Wodehouse, 1919
36 - Eugene Henderson, Henderson the Rain King, Saul Bellow, 1959
37 - Marcel, Remembrance of Things Past, Marcel Proust, 1913-1927
38 - Toad, The Wind in the Willows, Kenneth Grahame, 1908
39 - The Cat in the Hat, Dr. Seuss, 1955
40 - Peter Pan, The Little White Bird, J.M. Barrie, 1902
41 - Augustus McCrae, Lonesome Dove, Larry McMurtry, 1985
42 - Sam Spade, The Maltese Falcon, Dashiell Hammett, 1930
43 - Judge Holden, Blood Meridian, Cormac McCarthy, 1985
44 - Willie Stark, All the King's Men, Robert Penn Warren, 1946
45 - Stephen Maturin, Master and Commander, Patrick O'Brian, 1969
46 - The Little Prince, Antoine de Saint-Exupery, 1943
47 - Santiago, The Old Man and the Sea, Ernest Hemingway, 1952
48 - Jean Brodie, The Prime of Miss Jean Brodie, Muriel Spark, 1961
49 - The Whiskey Priest, The Power and the Glory, Graham Greene, 1940
50 - Neddy Merrill, The Swimmer, John Cheever, 1964
51 - Sula Peace, Sula, Toni Morrison, 1973
52 - Meursault, The Stranger, Albert Camus, 1942
53 - Jake Barnes, The Sun Also Rises, Ernest Hemingway, 1926
54 - Phoebe Caulfield, The Catcher in the Rye, J.D. Salinger, 1951
55 - Janie Crawford, Their Eyes Were Watching God, Zora Neale Hurston, 1937
56 - Antonia Shimerda, My Antonia, Willa Cather, 1918
57 - Grendel, Grendel, John Gardner, 1971
58 - Gulley Jimson, The Horse's Mouth, Joyce Cary, 1944
59 - Big Brother, 1984, George Orwell, 1949
60 - Tom Ripley, The Talented Mr. Ripley, Patricia Highsmith, 1955
61 - Seymour Glass, Nine Stories, J.D. Salinger, 1953
62 - Dean Moriarty, On the Road, Jack Kerouac, 1957
63 - Charlotte, Charlotte's Web, E.B. White, 1952
64 - T.S. Garp, The World According to Garp, John Irving, 1978
65 - Nick and Nora Charles, The Thin Man, Dashiell Hammett, 1934
66 - James Bond, Casino Royale, Ian Fleming, 1953
67 - Mr. Bridge, Mrs. Bridge, Evan S. Connell, 1959
68 - Geoffrey Firmin, Under the Volcano, Malcolm Lowry, 1947
69 - Benjy, The Sound and the Fury, William Faulkner, 1929
70 - Charles Kinbote, Pale Fire, Vladimir Nabokov, 1962
71 - Mary Katherine Blackwood, We Have Always Lived in the Castle, Shirley Jackson, 1962
72 - Charles Ryder, Brideshead Revisited, Evelyn Waugh, 1945
73 - Claudine, Claudine at School, Colette, 1900
74 - Florentino Ariza, Love in the Time of Cholera, Gabriel Garcia Marquez, 1985
75 - George Follansbee Babbitt, Babbitt, Sinclair Lewis, 1922
76 - Christopher Tietjens, Parade's End, Ford Madox Ford, 1924-28
77 - Frankie Addams, The Member of the Wedding, Carson McCullers, 1946
78 - The Dog of Tears, Blindness, Jose Saramago, 1995
79 - Tarzan, Tarzan of the Apes, Edgar Rice Burroughs, 1914
80 - Nathan Zuckerman, My Life As a Man, Philip Roth, 1979
81 - Arthur "Boo" Radley, To Kill A Mockingbird, Harper Lee, 1960
82 - Henry Chinaski, Post Office, Charles Bukowski, 1971
83 - Joseph K. The Trial, Franz Kafka, 1925
84 - Yuri Zhivago, Dr. Zhivago, Boris Pasternak, 1957
85 - Harry Potter, Harry Potter and the Sorcerer's Stone, J.K. Rowling, 1998
86 - Hana, The English Patient, Michael Ondaatje, 1992
87 - Margaret Schlegel, Howards End, E.M. Forster, 1910
88 - Jim Dixon, Lucky Jim, Kingsley Amis, 1954
89 - Maurice Bendrix, The End of the Affair, Graham Greene, 1951
90 - Lennie Small, Of Mice and Men, John Steinbeck, 1937
91 - Mr. Biswas, A House for Mr. Biswas, V.S. Naipaul, 1961
92 - Alden Pyle, The Quiet American, Graham Greene, 1955
93 - Kimball "Kim" O'Hara, Kim, Rudyard Kipling, 1901
94 - Newland Archer, The Age of Innocence, Edith Wharton, 1920
95 - Clyde Griffiths, An American Tragedy, Theodore Dreiser, 1925
96 - Eeyore, Winnie the Pooh, A.A. Milne, 1926
97 - Quentin Compson, The Sound and the Fury, William Faulkner, 1929
98 - Charlie Marlow, Heart of Darkness, Joseph Conrad, 1902
99 - Celie, The Color Purple, Alice Walker, 1982
100 - Augie March, The Adventures of Augie March, Saul Bellow 1953

Watchmen

0. Quis custodiet ipsos custodes
Who watches the watchmen?
Juvenal, Satires, VI, 347
quoted as the epigraph of the Tower Commission Report, 1987

1. At midnight, all the agents and superhuman crew, go out and round up everyone who knows more than they do. - Bob Dylan

2. And I’m up while the dawn is breaking, even though my heart is aching. I should be drinking a toast to absent friends instead of these comedians. - Elvis Costello

3. Shall not the Judge of all the earth do right? Genesis 18:25

4. The release of atom power has changed everything except our way of thinking...The solution to this problem lies in the heart of mankind. If only I had known. I should have become a watchmaker. - Albert Einstein

5. Tyger, Tyger burning bright, In the forests of the night, What immortal hand in eye Could frame thy fearful symmetry? - William Blake

6. Battle not with monsters, lest ye become a monster, and if you gaze into the abyss, the abyss gazes into you. - Friedrich Wilhelm Nietzsche

7. I am a brother to dragons, and a companion to owls. My skin is black upon me, and my bones are burned with heat. Job 30:29-30

8. On Hallowe’en the old ghosts come about us, and they speak to some; to others they are dumb. Hallowe’en, Eleanor Farjeon

9. As far as one can discern, the sole purpose of human existence is to kindle a light of meaning in the darkness of mere being. C.G. Jung, Memories, Dreams, Reflections

10. Outside in the distance a wild cat did growl, two riders were approaching, the wind began to howl. - Bob Dylan

11. My name is Ozymandias, king of kings; Look on my works, ye mighty, and despair! - Ozymandias, Percy Bysshe Shelley

12. It would be a stronger world, a stronger loving world, to die in. - John Cale